A T O M I S E D by Jimmy C – AN EXHIBITION YOU CANNOT MISS!

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HEY LONDON!
Go and check out our good friend @akaJimmyC ‘s show entitled ATOMISED at Lollipop Gallery (58 Commercial Street, Shoreditch, London). The show runs from September 10 – October 10th. This show is a MUST SEE!!!

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Renowned street artist Jimmy C opens his long awaited solo exhibition at London’s Lollipop Gallery this September. Titled ‘Atomised’, the exhibition will include new paintings by the artist painted in his signature aerosol pointillist style, exploring notions of how the human subject is connected to the world on an atomic and macrocosmic level through the motif of the sphere. The show will also feature an interactive real time self-generating portrait, where visitors to the show can see themselves transformed into a Jimmy C style painting.

The real time portraits are being created in collaboration with digital software artist Stuart Cupit, who has developed a custom application, which uses a Kinect2 sensor to capture the shape and colours of the subject’s face. In real-time the software uses a complex algorithm to calculates where to place thousands of spray paint pixels, reproducing Jimmy’s painting style in a fluid, interactive and engaging new piece of work.

Jimmy. C is a PROLIFIC London-based street artist who has worked all over the world, and is known for his aerosol pointillist signature style as well as pioneering an anaglyphic 3D painting technique. His East London portrait of Usain Bolt became one of the key images in the London Olympics news coverage, whilst the portrait of David Bowie on a wall in Brixton was the cause of recent controversy when a commercial company covered it up with advertising, sparking a community uproar and an immediate retraction of the campaign.  Last year he collaborated with iconic London store, Liberty, to create a limited edition Cosmic Heart fabric print that was launched during London Fashion Week.

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BREATHTAKING.
For more info on Jimmy or to follow him on social media:
XX,
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What You Don’t See in Yourself Other’s See… Incredible Sketches of Life: Dove’s “Real Beauty Sketches”

Long story short: watch this video to get inspired. DOVE HAS REALLY CREATED A POWERFUL MESSAGE.

Whatever you see in yourself is not how other’s see you. Have more faith in yourself. Love yourself more. Realise the world see’s you in a different light. We all need to realise that we are greater than who we think we really are.

See how these women describe themselves to a FORENSIC artist who creates a sketch based on their personal description. Then watch and listen how other’s describe what they see in these women to the artist, who then generates portraits based on the onlookers description’s. Whose sketch is more accurate? Tis INCREDIBLE.

XX, DP (follow us on Instagram @CultureHeARTs)

The ART I Saw This Year That I Truly He(ART).

After traveling the world to get my MA in Contemporary Art, I had several opportunities to see shows that I would have not come across normally. In no specific order will I list some of my most incredible ART moments that I truly he(ART).

1. Venice Biennale:942345_10200407645409313_901043945_nDays spent in Venice during the Biennale were NOTHING compared to Art Basel (Miami). In B E A UTIFUL VENIZIA, the Netherlands’ Pavillion stood out with Mark Manders’ Room With Broken Sentence. The sculptural works, which covered 23 years of the artist’s activity, curated by Lorenzo Benedetti, were simple, yet intricate. The works were simple in the sense that colour and subject matter were not shocking. Clay portrait busts and sculptural figures covered the pavilion, but were presented so you were not overwhelmed, and in an almost highly organised manner (image below). Although traditional materials were used such as wood and clay, what was truly fascinating was how the pieces were held together. For example, a clay sculpture of a female hanging off of a wooden table – almost looking like the front of a viking ship – was suspended by a wire string contraption (above). MIND BLOWING.Not only was the pavilion least anticipated by me, but several months later still leaves an impact on me today. 946683_10200407647089355_236647333_nThe Biennale was one of those events that was not about the PARTYING, like Art Basel, Miami Beach. Nor has it ever been thought of in that manner. It was about what each country could bring to the table. Walking for 12 hours a day, for five days straight was 100% worth me wearing crocs by the end of my time in Venice (I kid you not).

But there is one issue that is still on my mind. While some of you may know the main grounds for the Biennale are the Giardini and the Arsenale (where the Encyclopedic Palace was located), there are also some off-site pavilions – which I happened to miss out on. Why may you ask? Because although I was getting my MA in Contemporary Art, my PASSION for Modern Art will always remain. And so I took a trip to Peggy Guggenheim’s Museum. And boy, was that a worthwhile visit. Although Mrs. Guggenheim may have been the Mistress of Modern Art, who cares that she slept with half of the artists that are in her museum?! It is BREATHTAKING. Rothko. Warhol. Kelley. Ernst. Dali. Brancusi. Picasso. The list goes on and on. Need I say more? All I can say is if you ever are to visit the Biennale, make sure you take at least a few hours to visit the Guggenheim as well. Both represent history and culture that should not be missed.

2. Inside Out: The People’s Art Project:1385059_10201083899715248_288651712_nMy dissertation was about to be due, but I had the opportunity to take part in JR’s Inside Out Project in London. Was it worth the time? WITHOUT A DOUBT. Paranoid after hearing lines were hours long to get your portrait taken, to then be wheat-pasted in a designated location, of course was a constant concern. But I prioritised with my art partner in crime (image above), and together we successfully were not only the first in line, but had a great time meeting others alike. People whom too admire JR, and were there for the same reason: to be part of a Project that not only means something to you, as an individual interested in the arts, but to take part in a global movement. This is something I had never done before, and if I ever have the opportunity to do it again, I would not think twice. JR’s staff is incredibly friendly. They don’t make fun of you for practicing your poses, aka taking selfies of yourself on your i-Phones and such to see what pose would look best, because the reality is you only get ONE shot. Literally. And it turns out, after practicing all my poses I winged it while in the photo-booth (image below). But hey, at least I entertained myself for a good two hours practicing facial expressions.                                                                       935974_10201083898995230_1309614194_ntruck3-20131006_141951

3. James Turrell’s Aten Reign (2013):1003170_10200663410643284_1123671427_nLuckily, I was in NYC to see Turrell’s first SOLO show in a New York museum since 1980, at the Guggenheim (WHAT A YEAR FOR THIS ESTABLISHMENT). But actually. Turrell has always focused on light, perception, colour, and space. And what better a place to create a show than in the rotunda designed by renowned architect Frank LLoyd Wright. A few words to describe the experience I would say are: MESMERISING, CAPTIVATING, and SPIRITUAL.

Turrell plays with your senses, primarily sight, having colours fade between different hues and tones. From black, grey, blue, purple, pink, red, orange, colours come and go in a timely manner. Yet time is of no worry when laying below the rotunda absorbing this monumental exhibition.

1070028_10200663411843314_959533646_n1000219_10200663413003343_824181635_n1016934_10200663408203223_182170698_n1000441_10200663406963192_615031321_n          To be able to witness such a show was something I never dreamed of. I have always wanted to go out and see his Roden Crater Project, but to be honest, it is literally in the middle of nowhere. One day I may get around to going to visit it, but for now I am fully satisfied with Aten Reign.

Well my dear followers, that is all for now. More coming to you very soon!

XX, CHC (follow us on Instagram @CultureHeARTs)

Overreaction is a Bloody Understatement – An Example of How NOT to Take Criticism

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Everyone has the right to critique. Just “artists” or artists take it a little too personally, sometimes. Wanna be dramatic? Take it and break it. See for yourself.

But seriously, if you love what you do, why do you care what other people think? It’s just an opinion. This is not the difference between life and death.

And – Dear Girl in the Video with your “abstract” painting, you are already a fashion designer apparently, so you are established. I understand you spent a lot of time on that piece and went out of your comfort zone – but was this really necessary? Obviously you got upset and had the right to be since this painting was so personal to you that you started cursing and slammed the canvas against the wall after you kicked the frame. Maybe you should just stick to fashion?

Kids, at the end of the day… do what you do best. Follow your He(ART). Don’t listen to what other people have to say. Believe in yourself.

XX, DP

What Philadelphia Has to Offer – AMAZING ART, DUH

A couple weeks ago, upon my return to my native land, AMURICA, I went to Philadelphia to visit my grandmother for her birthday (shout out to PHYLLIS) who too is an art historian. She took me on several art adventures that made me realise the world of art in Philadelphia is rivalling that of which NYC has to offer. For example, the plethora of GREATNESS Philadelphia Museum of Art has to on view is INCREDIBLE. They have an amazing collection of Jasper JOHNS, Cy TWOMBLY, BRANCUSI, PICASSO and more! While some of you are thinking, NYC is just WAY BETTER, I dare you to go to Philly, check out the Philadelphia Museum of Art, and be BLOWN AWAY.

PICASSO:

Absinthe Glass

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Self Portrait

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JASPER JOHNS:

Flashlight and Lightbulb

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Single Flag

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CY TWOMBLY:

Fifty Days at Illiam

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DUCHAMP:

Bottle Rack

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The Bride Stripped Bare by Her Bachelors, Even

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BRANCUSI:

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IS THIS NOT AMAZING?! WHAT A COLLECTION?! And it keeps on going:

MOTHERWELL:

Elegy to the Spanish Republic

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NAUMAN:

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Ellsworth Kelly:

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I think you get it by now… PHILLY’s art is SPECTACULAR… and this was just one museum. They have the Barnes Foundation, the Rodin Museum, and many more! Check it out peeps! Get Cultured!!!!

XX, DP

P.S. Did I mention the steps leading up to this museum are the steps ROCKY trained on?! Does the view look familiar? The only thing that irritates me about this, even though it is incredibly riveting, is that tourists come just for the steps, and not the art – what a shame!

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P. P. S…. Street Art originated between NYC and PHILLY. So keep your eyes open!

Francis Bacon’s Muse – Isabel Rawsthrone

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You may think something is wrong with this person’s face… but it is Francis Bacon’s way of creating a portrait – which can be found in the TATE (Modern). It is a portrait of Isabel Rawsthrone. Bacon and Rawsthrone were close friends and after Rawsthorne’s death in 1992 Bacon admitted they had an AFFAIR (even though he was gay – apparently – who knows, who cares, but tres scandalous). In a statement to Paris Match confessed, “You know I also made love to Isabel Rawsthrone, a very beautiful woman who was Derain’s model and Georges Bataille’s girlfriend.” As such, unlike any of his other female sitters of which could only be counted on one hand, Rawsthorne became his MUSE.

Bacon had no FORMAL training. Bacon’s earlier portraits were created by means of having his subject present. His portraits beginning in the 1960s were developed based off of photographs and focused in on facial features. Bacon only painted those who he knew intimately – Lucian FREUD, George Dyer, Henrietta Moreas, Muriel Belcher, and Isabel Rawsthrone to name a few.

While his brilliant portraits evolved from photographs taken by John Deakin, the final result was one that which could be described as phenomenological – the idea that his paintings go beyond the physical attributes of the exterior and exemplify inner truths.

Bacon’s portraits could further be understood as influenced from Surrealism and Abstraction, where a duality exists within each painting: between thought and form, life and death. Nevertheless, Bacon captures Rawsthrone’s physicality such as her arched brows, high forehead, and accentuated cheek bones; however, he has done so in an intriguing way that navigates the cusp of abstraction and figuration in relinquishing the human form through his distorted yet incredibly powerful techniques of portrayal. Bacon elaborates in his discussion with Sylvester, “What I want to do is distort the thing far beyond the appearance, but in the distortion to bring it back to a recording of the appearance.”

The artist’s ENERGETIC brush strokes are contrasted with smudged contours and blurred boundaries as if he is trying to reveal an open form that is trapped within its own subsistence. Bacon removes screens and veils to uncover truths about existence through fusing the notions of paint and the idea against a stark background, which brings the portrait to appear to have a floating appearance. The artist’s work of his dear friends in the 1960s exhibit and suggest a psychological rendering.

Check out this work at our FAVOURITE museum in London – Tate Modern. Embrace those around you. Find your muse. Go with the flow.

XX, DP

You Call This Your Greatest Masterpiece, We Call it HORRENDOUS

In one of our previous articles, “Battle of the Portraits: Kate vs. Durer” we commented on how Kate’s “royal” portrait was lacking in just about everything. But seriously. Durer looked 100x better than the Duchess.

Read this article and witness how the artist, Paul Emsley, not only admits that there is another version (which we OBVIOUSLY want to see but he REFUSES to share it with the public), but he too boldly declares the portrait on display at the National Gallery in London is his greatest masterpiece. LOOK ABOVE. THIS PHOTOGRAPH OF HIM WITH HIS “MASTERPIECE” SHOWS HIM NOT ONLY LOOKING DOWN, BUT HIS ARMS ARE FOLDED. Is this a sign of success? Sir, your body language is saying NO.

Sorry Emsley. Hate to break it to you, it is almost mocking royalty portraiture over the past centuries. You have broken tradition. Seriously dude. Maybe you should look at past examples of how royalty is depicted. I think it would help.

Hope you take my advice Paul E.,

xx, DP