El Museo de arte Thyssen-Bornemisza in Madrid has quite an incredible collection from MEDIEVAL to MODERN Art MASTERS – but it is their Modern section that BLEW ME AWAY. From Rothko to Lichtenstein, to Mondrian (pictured above, New York City, 3 (unfinished), 1941,) and more, their Modern collection, is IMPRESSIVE, to say the least. Below are some pictures of my favourite works from the collection… If you are ever in Madrid, get out your camera, iPhone, or whatever (because YES, you CAN take pictures – but NO FLASH please) and CAPTURE these paintings, after taking them in.
Left to Right: Morris Louis, Pillars of Hercules, 1960. Rothko, Untitled, 1961. Clyfford Still, Untitled, 1965.
Lichtenstein, Woman in Bath, 1963.
Rauschenberg, Express, 1963.
Rosenquist, Smoked Glass, 1962.
These LARGER than life canvases will leave a lasting impression on you – guarantee it.
I think in my previous posts, that I’m sure all of you have read and become dedicated CultureHe(ART)s readers – its apparent of my style of art (aka K’s style) exemplifies the WEIRD, STRANGE, and the MORBID. This is why when I stumbled upon the French artist Charles Matton (1931 – 2008), I was overwhelmed with happiness and curiosity. I want to share that with you. I won’t bore you to death with a biography and list of works, but I will give you a little rant on why I think he’s so great. Maybe you’ll like it, maybe you won’t.
What strikes me about Matton and his work is he was an innovator, a REBELLIOUS artist. During the Modernist period when abstraction was a predominant mode of painting and sculpture, Matton diverged. I think this was brave. He believed that abstract reality when in front of you becomes beautiful. He would paint bouquets, heads, flowers – and painting was not his sole medium. Matton has done everything from sculpture to collage to films, you name it, he’s done it.
What strikes me most about his work, is his undeniable love for reality and being able to find beauty in the strange, the foreign – whether it be morbid such as his masochistic photographs, his pregnant sculptures or attempting to infiltrate the minds of the great artists such as Bacon and Giacometti (he created some wonderful small collages of their studios that you can look at for hours).
Charles Matton died in 2008, and this is why I am writing about him now. I think he was very under appreciated and unrecognised due to the overshadowing of modernist art and his divergence from it. He’s a bit kooky and weird – but hey who isn’t? And as I always say, “if your not weird than you are not normal.”
What does your He(ART) think? Strange? Morbid? Beautiful?
Peace Out, K.