Sleeping Beauty? Andy Warhol’s Genius Film

We all know who the great Andy Warhol is. This iconic American POP artist took over the art scene in the 1960’s and reigned over it for more than 20 years, as the American King of art . His influence is still highly prevalent today. Go into a restaurant, flat, a club – his reproductions lie everywhere. His iconic pop paintings, with its rich, colourful vibrant hues, and depictions of American celebrities such as Marilyn, Elvis, and Jackie (Onassis turned Kennedy) celebrated American culture; however, we must bear in mind Warhol was a very mysterious, philosophical, contradictory man – were his works really celebrations? Could they have perhaps been the critiques on the rising consumerism of American life during the 1960s? However important these questions are, they are for another time, another blog post.

While many people fall head over heels for his paintings and silkscreens, I particularly am not a fan of his paint works. These vibrant blues, pinks and yellows do not aesthetically please my eye. (Warhol groupies out there -DP in particular- don’t hate me for this statement).

What interests me more about Warhol, is his later experiments with video, in particular “Sleeping”. “Sleeping” filmed in 1963 is a looped film that created much controversy and scandal (film above – you don’t have to watch the full film, but just watch a minute to get the idea). The film displays John Giorno (a friend, but many people speculate he was a lover of Warhol) sleeping for eight hours, mimicking the duration of a natural sleep. It was a direct critique of the Hollywood narrative films being produced at this time and Warhol described his piece as a work of anti-film – a means in diminishing the desire to look at an image. On its debut, many people were extremely disappointed and angered. Why would anyone sit and watch a film for eight hours of a man sleeping? Keep in mind, the film was looped.

What these people neglected to see at this time was Warhol’s reaction to the voyeuristic narrative films of the 1960s. However, Warhol is a very intricate, layered man – he was doing something more. Warhol in my view was capturing the beauty of something so normal, that we just don’t generally think too much of.

His subject matter was a man that was closely related to him and a man who he loved dearly. There is something so vulnerable yet beautiful in the state of slumber. All your inhibitions are erased and you are leaving yourself vulnerable to the world around you. Vulnerability is something that many of us hide from one another. BUT when you are comfortable enough to sleep beside someone you trust, you are allowing that person to see that vulnerability. You give yourself up to them, trusting them whole he(ART)idly, which is something difficult to do. It’s an act of love and love is beautiful.

Sleeping is an everyday act that people take for granted. Stop and smell the roses. See the beauty in the little things. It is the small things in life that are the most beautiful. Wouldn’t you agree? And on that note…

Peace Out, K

Walking in An Exaggerated Manner – Who Walks the Walk Better?

Bruce Nauman can walk in Exaggerated Manners? Well apparently so can LEGO’s.

Who walks the walk better??

Try it! It is tougher than it looks. Props to Nauman for producing such a skill.


Fondazione Giuliani: per l’arte contemporanea

So we have come across this AMAZING non-for-profit foundation in the dear city of Roma, Fondazione Giuliani (Via Gustavo Bianchi 1, Rome, Italy 00153). The foundation is dedicated to the research, advocacy, and exhibition of contemporary art. Their newest show is from the artist Guido van der Werve entitled “Nummer Veertien, Home.” The show began yesterday and runs until the 23rd of March. Below we have inserted a description of the film. We encourage all art enthusiasts to go and check it out! Screenings are held Tuesday – Saturday at 3:30 P.M., 5:00 P.M., and 6:30 P.M.

“For twenty days and a distance of over 1700 km, Guido van der Werve embarked on an extreme pilgrimage from Poland to France, swimming, cycling and running from Warsaw to the tomb of Frédéric Chopin in Paris. The Polish composer’s dying wish, who was to be buried in the Parisian cemetery of Père Lachaise, was that his heart be returned to Poland to the church of Santa Croce in Warsaw, where the film Nummer veertien, home begins. A requiem composed by van der Werve accompanies three intersecting narratives: his own nostalgic journey at the pace of a triathlon, a surreal return to his native Holland, and a documentary on Alexander the Great who, like Chopin, died far from home. A key element of the film and characteristic of van der Werve’s practice, is the calibrated use of subtle deadpan humour that loosens the gloomy and melancholic atmosphere of his works and make his arduous performances almost surreal. The search for a balance between contradicting states of mind and emotions acts as metaphor of an intimate interior conflict that through the various films is extrapolated, played down, made more sustainable.”

So if you’re in Rome, don’t only go to the Pantheon and the Coliseum (typical tourist traps, fascinating though and we do find them intriguing), but check out Fondazione Giuliani, a true Italian masterpiece.



My Bed. A Piece we spoke about earlier in the article “Terms You Should All Be Familiar With – IKB & YBA” has recently been revisited by the artist herself. The piece was recently part of an exhibition at SCHIRN KUNSTHALLE FRANKFURT (if you can read German go check out their website) entitled “PRIVACY.” Seriously, watch this.

No. She is not the drunk Tracey Emin we knew back in the day. Apparently she has gotten herself together.

Watch the exhibition film here:

 Way to go girl!!

xx, DP