A T O M I S E D by Jimmy C – AN EXHIBITION YOU CANNOT MISS!

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HEY LONDON!
Go and check out our good friend @akaJimmyC ‘s show entitled ATOMISED at Lollipop Gallery (58 Commercial Street, Shoreditch, London). The show runs from September 10 – October 10th. This show is a MUST SEE!!!

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Renowned street artist Jimmy C opens his long awaited solo exhibition at London’s Lollipop Gallery this September. Titled ‘Atomised’, the exhibition will include new paintings by the artist painted in his signature aerosol pointillist style, exploring notions of how the human subject is connected to the world on an atomic and macrocosmic level through the motif of the sphere. The show will also feature an interactive real time self-generating portrait, where visitors to the show can see themselves transformed into a Jimmy C style painting.

The real time portraits are being created in collaboration with digital software artist Stuart Cupit, who has developed a custom application, which uses a Kinect2 sensor to capture the shape and colours of the subject’s face. In real-time the software uses a complex algorithm to calculates where to place thousands of spray paint pixels, reproducing Jimmy’s painting style in a fluid, interactive and engaging new piece of work.

Jimmy. C is a PROLIFIC London-based street artist who has worked all over the world, and is known for his aerosol pointillist signature style as well as pioneering an anaglyphic 3D painting technique. His East London portrait of Usain Bolt became one of the key images in the London Olympics news coverage, whilst the portrait of David Bowie on a wall in Brixton was the cause of recent controversy when a commercial company covered it up with advertising, sparking a community uproar and an immediate retraction of the campaign.  Last year he collaborated with iconic London store, Liberty, to create a limited edition Cosmic Heart fabric print that was launched during London Fashion Week.

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BREATHTAKING.
For more info on Jimmy or to follow him on social media:
XX,
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Ideophonetic: The Flinching Eye Collective Brings It (and Then Some)

Let it enfold you. No really, do it. The sonic sounds and total immersive experience that is a Flinching Eye Collective performance will render you unable to be anywhere but completely in the moment. Ideophonetic, the performance for the Biennial of the Americas in Denver last week at Junction Box was not to miss.

The temporal, interactive, and sensory experience invites you in to not just watch but participate – to be in on the action just as much as it’s happening around you.

The lights focused your attention, the voices, noises, the symbol grinding, whistle blowing, turntable spinning, does the same. But wait, because it doesn’t stop there.

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(Image from the FEC)

As more unfolds around you a better sense of Ideophonetic, what it is, and its purpose comes to surface. The FEC, their ideas and the ways they bring them to light becomes clear and just as quickly slips away…keeping you on your toes.

The performance was seamless and sonic, loud and quite, playful yet well crafted, simultaneous to a grinding halt.

As you moved around the space it changed, your attention shifted, the action carried on.

The a-typical instruments, the devices and machines rigged to create the sounds kept you intrigued. Their inclusion is unique and another feature that highlights the creative ingenuity of this crew.

When you’re part of the static that makes the sound you’re gonna have something to say.

Render me refreshed to have had the opportunity to experience a Flinching Eye performance, and color me still spinning.

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A rare entity, the Flinching Eye Collective consists of seven members: Max Bernstein, Adán De La Garza, Scott Ferguson, Tobias Fike, Ryan Wade Ruehlen, Benjamin Gale-Schreck, and Matt Weedman. Independently these guys are interdisciplinary media artists. Their collaboration resulted in the creation of the collective back in 2011 in Denver. They have toured in cities around the US and this performance was the first to happen in Denver.

Cheers!

NYX

Carla Gannis – Garden of Emoji Delights

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You know what is the shizzz? Transforming Hieronymus Bosch’s Garden of Earthly Delights (above) into Gannis’ Garden of Emoji Delights (below)! I came across this piece at Pulse 2015, and was FLOORED, after seeing the original in Museo del Prado in Madrid AND after studying the original painting extensively at IU when I was getting my BA in Art History. I mean WOW. There are no words to describe my excitement for turning an iconic piece of art history into a contemporary, relatable, fascinating work of art that represents the 21st century – just as Bosch’s work reflected themes and issues of his time.

Take a look for yourself! LIKE WOWZAHSSSSS. Seriously. I am so beyond in love.

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Check out the comparissons from the original painting to the 21st century remake!

Original:

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21st Century Gannis Version:

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Need I say more?! This piece totally is the definition of reworking an old master and giving it a meaning that is relatable to us today.

WHAT the HELLO: The Interview

… and BOOM. Just when we were not expecting to see this BRILLIANT artist intertwined between slaps and throws in LONDONTOWN, we came across our new friend from Down Under: What the Hello! What a refreshing way to start the New Year! See what he has to say about his art and brilliant advice he gives you future artists!

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Walking around SoHo London, I came across your sticker (what I like to think of the popsicle man with two legs and an upside down face – see image below) which caught my eye right away. The detail and subject made it stand out from most other “slaps” you come across on the streets – no matter where you are in the world. What made you come up with this idea to put out sticker art as opposed to putting “slaps” with “tags” on them?

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Haha! That’s so fantastic that you see my character as a “popsicle man”, I’d never looked at him in that way before and I like it. I always kind of thought of him as a small man looking inside a giant upside down head, perhaps his own head and being pleasantly surprised at what he’d found. All a bit deep and meaningful.. and kind of wanky, but I think I like the “popsicle man” idea better!

Thanks so much for noticing my stickers by the way, it’s always nice to hear that people are noticing and appreciating them. I guess when I started making them I really wanted to create stickers that would stand out and promote my art, so I made them big, colourful and kooky, and hand coloured them all so that each and every one is an individual piece of my art. 

I don’t think “slaps” with “tags” are really my thing anymore, I grew up doing graffiti so I get the whole “tagging” thing but I’m just more interested in the art now. I definitely want people to recognise my name “What_the_Hello”, but it’s more important to me that people recognise my artwork. 

Well with characters like yours, your work is highly noticeable! Where does your inspiration come from? What subjects are you most inclined to work with? Basically, how would you describe yourself as an artist?

As an artist I think most of my inspiration comes from pop culture both past and present. Of course I’m inspired by other artists, but also things like the cartoons I use to watch as a kid, the comic books I would read under my bedcovers at night, the artwork on lolly wrappers at the local milk bar etc. I always try to create images that give you that feeling of familiarity, not a tangible feeling, but more of a feeling that somehow it relates to you or your life.

We see that your art has infiltrated the apparel industry (see below) and you often refer to your work as illustrations. You have been named “Lurzer’s 200 Best Illustrators Worldwide amongst others” and have been featured in Rolling Stone! That is a major accomplishment! Do you have advice on how to get your art out there? tee 2

I studied Illustration at NMIT in Melbourne back in 2003 which is probably why I still refer to my artwork as “Illustration,” but I kind of do bit of everything these days from tee shirt design and graphics all the way through to mural artwork. The best advise I could give to anyone trying to get there work out there is to be as prolific as humanly possible, just be a part of everything and anything you can be a part of. Today especially when there are so many social media outlets at our disposal, it’s really important just to be seen as “doing.”

Clearly, you have traveled to spread your art which we he(ART). While I found your sticker art in London as mentioned before, I know you are based in Melbourne. What is the art scene like down under?! I’ve never been!

Melbourne has a brilliant art scene and there is so much happening here all the time, the only trick is knowing how to find it all. Besides having a thriving street art scene which is there for all to see, Melbourne has loads of little galleries and exhibitions popping up around town all the time so keeping an eye out and an ear to the ground is essential.

Fabulous! Hopefully I will get to go and check out the scene in the near future. However, last but an intricate part of being able to interact with your art, where can we purchase or see your latest works?!

The best way to see some more of my artwork is by checking out my website www.whatthehello.net or by following me on Instagram @what_the_hello. You can get your hands on some of my hand coloured stickers, original art and giclée prints at my Etsy shop via my website. 

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Well kids, there ya have it! What the Hello here to inspire us all. No matter what passion you wish to pursue, remember to follow your He(ART).

XX, DP (follow us on instagram @CultureHeARTs)

AHOL and INFOE Present “STICK UP KIDS” In Memory of STREET ARTIST REEFA – WE NEED YOUR HELP

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Urban Artists and STICKER Aficionados Infoe (@infoe_stv) and AHOL (@AHOLSNIFFSGLUE) amongst many others in the Urban Art scene in Miami have made continuous efforts to keep the memory of Israel Hernandez aka Street Artist REEFA, alive, after he was tased to death for tagging an abandoned McDonald’s. Not only is this a bit dramatic on behalf of the Miami Beach Police Department, but it is incredibly TRAGIC, BRUTAL, and OBSCENE – RIDICULOUS too, may I add. In a conversation with AHOL regarding the event he honestly states, “There is still a lot that needs to be done for their case legally and bringing awareness. We are lending our names to the cause to help in any way we can.” And thus an ART SALE will be taking place this SATURDAY MIAMI. ALL PROCEEDS, YES ALL PROCEEDS, WILL GO TO #JusticeForREEFA. Here is the info below. Please share. JUSTICE NEEDS TO BE SERVED. RIP REEFA. You are always in our thoughts.

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XX, DP

Richard Avedon: Fusing Fashion and Art

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Richard Avedon, FASHION photographer turned ARTIST shows the DIVERSITY and COMPLEXITY of photography in his newest solo exhibition at Gagosian Gallery (Davies Street, London) which is currently on display until October 26th.  Avedon exhibits a collective of fashion photographs from his work between the 1960’s and 1970’s in “Avedon: Women”. These fashion photographs not only depict the BEAUTY of the clothes, but do something greater, or so I think. I think what makes this exhibit so INTERESTING and INNOVATING is his questioning of the role of photography and how it is used. He attempts to differentiate his photographs by breaking all the rules by portraying his models in motion -confident, vivacious, with a joie de vivre. The COUTURE clothing only accentuates these eccentric poses. Although these photographs can seem superficial and more fashion photography-like, Avedon cleverly and slyly evokes deeper meaning. Take Jean Shrimpton, evening dress by Cardin, Paris 1970’s (below).

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Sure it is a beautiful silk gown in motion, but is Avedon bringing more to the table? Is he referencing some sort of art historical reference say…Unique Forms Of Continuity in Space (below) by Umberto Boccioni.

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What Boccioni did for Italian Futurist art sculptur e- attempting to bring the MOVEMENT to the medium of sculpture is what Avedon does for photography. He brings a certain DYNAMISM, which rethinks the medium of photography from being still and motionless to active and forceful. The cloths only highlight this movement as well as create a certain tension to the pieces. In a way he is self -contradictory in his works, intensifying the action through the draping of the clothing but capturing it in the stillness of the camera – makes you think right?

How fittingly appropriate for FASHION WEEK – eh?

PEACE OUT, K

The Biggest Disappointment: RA Summer Exhibition 2013

Royal Academy summer exhibition

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While every year, apparently, people look forward to the Royal Academy Summer Exhibition… I can without a doubt say that this show was the BIGGEST disappointment – possibly ever.

I have seen student shows in the states, I have seen student shows at other Uni’s in Europe… but for such an esteemed academy, the work was anything but.

But actually. It was a massive disappointment. The highlights were that of the architectural maquettes – which are for sale; opposed to the six tapestries by Grayson Perry (above) whose tapestries entitled The Vanity of Small Differences (based off of Hogarth’s A Rake’s Progress) are aesthetically appealing and visually/mentally time consuming when trying to grasp what is going on, however they are NOT for sale, and take a place on the cover of the book with works sold. I find this quite odd.

Did the RA know that all the works chosen were not so splendid so the work they chose for their cover is a work that is not being sold? I call this FALSE ADVERTISING.

I am not saying all these artists are lacking talent, but their works are heavily derived from per say Manet, Monet, Ellsworth Kelly, Alex Katz, etc. Or they are just plain horrific, and embrace numerous qualities of kitsch (ugh).

If I have no dissuaded you from visiting the show, and I do encourage you to go and have your own opinion, please let me know what you think. I love some great feedback!

XX, DP