A T O M I S E D by Jimmy C – AN EXHIBITION YOU CANNOT MISS!

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HEY LONDON!
Go and check out our good friend @akaJimmyC ‘s show entitled ATOMISED at Lollipop Gallery (58 Commercial Street, Shoreditch, London). The show runs from September 10 – October 10th. This show is a MUST SEE!!!

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Renowned street artist Jimmy C opens his long awaited solo exhibition at London’s Lollipop Gallery this September. Titled ‘Atomised’, the exhibition will include new paintings by the artist painted in his signature aerosol pointillist style, exploring notions of how the human subject is connected to the world on an atomic and macrocosmic level through the motif of the sphere. The show will also feature an interactive real time self-generating portrait, where visitors to the show can see themselves transformed into a Jimmy C style painting.

The real time portraits are being created in collaboration with digital software artist Stuart Cupit, who has developed a custom application, which uses a Kinect2 sensor to capture the shape and colours of the subject’s face. In real-time the software uses a complex algorithm to calculates where to place thousands of spray paint pixels, reproducing Jimmy’s painting style in a fluid, interactive and engaging new piece of work.

Jimmy. C is a PROLIFIC London-based street artist who has worked all over the world, and is known for his aerosol pointillist signature style as well as pioneering an anaglyphic 3D painting technique. His East London portrait of Usain Bolt became one of the key images in the London Olympics news coverage, whilst the portrait of David Bowie on a wall in Brixton was the cause of recent controversy when a commercial company covered it up with advertising, sparking a community uproar and an immediate retraction of the campaign.  Last year he collaborated with iconic London store, Liberty, to create a limited edition Cosmic Heart fabric print that was launched during London Fashion Week.

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BREATHTAKING.
For more info on Jimmy or to follow him on social media:
XX,

Ideophonetic: The Flinching Eye Collective Brings It (and Then Some)

Let it enfold you. No really, do it. The sonic sounds and total immersive experience that is a Flinching Eye Collective performance will render you unable to be anywhere but completely in the moment. Ideophonetic, the performance for the Biennial of the Americas in Denver last week at Junction Box was not to miss.

The temporal, interactive, and sensory experience invites you in to not just watch but participate – to be in on the action just as much as it’s happening around you.

The lights focused your attention, the voices, noises, the symbol grinding, whistle blowing, turntable spinning, does the same. But wait, because it doesn’t stop there.

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(Image from the FEC)

As more unfolds around you a better sense of Ideophonetic, what it is, and its purpose comes to surface. The FEC, their ideas and the ways they bring them to light becomes clear and just as quickly slips away…keeping you on your toes.

The performance was seamless and sonic, loud and quite, playful yet well crafted, simultaneous to a grinding halt.

As you moved around the space it changed, your attention shifted, the action carried on.

The a-typical instruments, the devices and machines rigged to create the sounds kept you intrigued. Their inclusion is unique and another feature that highlights the creative ingenuity of this crew.

When you’re part of the static that makes the sound you’re gonna have something to say.

Render me refreshed to have had the opportunity to experience a Flinching Eye performance, and color me still spinning.

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A rare entity, the Flinching Eye Collective consists of seven members: Max Bernstein, Adán De La Garza, Scott Ferguson, Tobias Fike, Ryan Wade Ruehlen, Benjamin Gale-Schreck, and Matt Weedman. Independently these guys are interdisciplinary media artists. Their collaboration resulted in the creation of the collective back in 2011 in Denver. They have toured in cities around the US and this performance was the first to happen in Denver.

Cheers!

NYX

Carla Gannis – Garden of Emoji Delights

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You know what is the shizzz? Transforming Hieronymus Bosch’s Garden of Earthly Delights (above) into Gannis’ Garden of Emoji Delights (below)! I came across this piece at Pulse 2015, and was FLOORED, after seeing the original in Museo del Prado in Madrid AND after studying the original painting extensively at IU when I was getting my BA in Art History. I mean WOW. There are no words to describe my excitement for turning an iconic piece of art history into a contemporary, relatable, fascinating work of art that represents the 21st century – just as Bosch’s work reflected themes and issues of his time.

Take a look for yourself! LIKE WOWZAHSSSSS. Seriously. I am so beyond in love.

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Check out the comparissons from the original painting to the 21st century remake!

Original:

gannis 121st Century Gannis Version:

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Original:

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21st Century Gannis Version:

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Need I say more?! This piece totally is the definition of reworking an old master and giving it a meaning that is relatable to us today.

Truisms of Today

Basel or no Basel, people have hit the streets, with what I like to reference as Trusisms – hence having some truth implied.

The concept of “Trusisms,” originally entered the art scene with Jenny Holzer in the 70s. She made lists of “truths” put forth to the people with art that appeared like advertisments. Thus, she wheat pasted lists of Truisims on walls around New York City, occupied billboards in Times Square, and placed her art on marquees of theatres (see below), and more (she also hit other major cities as well – London, Munich, Oslo, Amsterdam, …).

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But now, in the 21st century, people are gratifying their messages on the grounds. Thus, you must now not only look up, but look down.

See examples from Miami’s Wynwood District and New York’s Gallery District in Chelsea of what people are making you contemplate…

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Is there always a tomorrow? Is modern art so expensive – yes to some, no to others… And should LOVE be the reason to breathe? Or are there more reasons to breathe besides love… like family, friends, your passions, etc.

Thus take these ideas that are going around the streets that make you question the truths behind these ideas proposed to you… and THINK.

XX,

CHC (@cultureheARTs)

It’s the Most Wonderful Time of the Year – BASEL!

“It’s the most wonderful time of the year” (cue song for .1 seconds before it gets too annoying) for any art addict. It’s ABMB aka ART BASEL MIAMI BEACH. It is a dream come true. Galleries from near and far bring their best works. Artists, celebrities, collectors, and dealers unite to put on the best show. And from what I’ve seen so far, it is going to be an AB FAB week.

While I have to admit I have only been to Context Art Miami, a satellite fair, many booths were not even close to short of bringing their A game. And trust me, they brought it. Many brought their A+ game. NO JOKE.

From seeing works of Dubuffet, to Joseph Albers, Mel Bochner, Alex Katz, Sam Francis, and more (yes, this is a satellite fair and not Basel itself – shocking to me, I know) I was impressed to say the least.

Check out some pics below of the FABULOUS WORKS… and remember, this is just the beginning!

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Jean Dubuffet

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Joseph Albers

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Sam Francis

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Mel Bochner

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Alex Katz

 

BRING IT ON BASEL!

xx. CHC

Cosmic Code A/V show with Psychemagik & Ari Russo on 18th November 2014

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In preparation, Psychemagik and Ari Russo have gone through 1,000’s of VHS tapes, laserdiscs, vinyl records and cassettes in search of the perfect sample. Unknown private press records from the 1970’s and 80’s will be mixed with more familiar sounds, whilst the visuals will combine sensory overload with stark, sarcastic footage. A live camera will capture video which will be processed in real-time using a programming code developed by Ari Russo. These three-dimensional visualisations will be led by the music, and projected back into the space, creating shadows that blur imaginary with reality. Far from a random arrangement, the performance will provide a film-like narrative held together by carefully selected music, found footage and audience participation.

Commission have worked together with the artists to create a body of work which encompasses ‘Cosmic Code’ a juxtaposition of Psychemagik’s otherworldly sounds from the past and Ari Russo’s digital intervention. This site-specific installation will occupy two 3 x 4m walls on which we’ll display a series of screen prints at the Gallery Bar of the Ace Hotel London between the 18th and 30th of November 2014. The prints are 50 x 70cm and limited to 10 per colour-way, these will be available to purchase at £30 each.
Further details:
Entrance £5, advance tickets available from Resident Advisor
18th November 2014, support DJs at 19:00, performance 20:30 – 22:00
Miranda Bar, Ace Hotel, 100 Shoreditch High Street, London, E1 6JQ
Hope to see you there!
The CHC

Kiki Valdes – Riding Dualism

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KIKI VALDES
RIDING DUALISM

Reception: Wed, November 19th 2014
The National Arts Club / Marquis Gallery
15 Gramercy Park South, New York, New York 10003
6 – 8 PM / RSVP is required 
ridingdualism@gmail.com

For his FIRST one-person exhibition in New York, Kiki Valdes presents new paintings that explore the phenomenon of dominance and the translation of experience into image and form. Continuing his inquiry into the evaluation of popular culture in the context of established American settings, Riding Dualism proposes a step further whereby traditions are re-explored and roles often reversed.

Valdes’ work often draws a corollary between the content and action with surroundings punctuated by arid landscapes and fragmented spaces. In his work “Bullish in the Desert”, the interaction between the dark colossal animal and the brightness of the hovering ghost-like figure is offset against the brightness of the warm tones of the landscape. This painting as well as others in the series, investigates the poetics and memories of the perpetuating Western American culture, re-enacting the artist’s own experience in the wilderness of Arizona.

Simultaneously entertaining and strikingly composed semi-abstract paintings, Kiki Valdes’ works are critical interrogations of the duality between the individual and the system, or in this case the ‘animal’. Tracing the conflicting broadcast of everyday uprising, the unleashed beast in “Angry Horse” exposes the overthrow of ongoing endorsed system, projecting the viewers in a mental state of a no-man’s land where the dignity of the animal and individual are one. Kiki Valdes approaches the lore of the American cowboy with an intimate immediacy, enabling his contemporary experience to exist within the continuum of civilizations.

Kiki Valdes was born in Miami, Florida in 1981, and lives and works between New York, New Jersey and Miami. A Cuban American painter, Valdes’ work explores the multidimensional complexities of people, religion, American-life, sex, and superstition. His canvases tend to overlap on top of various unresolved paintings and capture a sense of association, rhythm and conflict. Kiki often refers to his paintings as studies; instead of art history’s draw toward the female or still life, Valdes explores the use of 1990’s cartoons with expressionistic tendencies. His appropriation of Disney/Nickelodeon characters is a starting point for him to redefine his understanding of the subject. The work can best be described as a marriage between abstract expressionism and cartoons.

“Kiki Valdes: Riding Dualism” will be on view at The National Arts Club, New York from November 3-29th 2014. A reception will be held on November 19, 2014 from 6-8 PM.

Press Contact: RidingDualism@gmail.com

Bambi – The Female Banksy… if you will

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“There are so many ways to exercise influence and power in the art world but one thing is abundantly clear: Women play a leading role.” – artnet

Around two weeks ago, a list was published of the most influential women in the art world. Shocker, performance goddess Marina Abramović was number one (I LOVE YOU MARINA). You go girl. The next few women while incredibly important, are almost expected…

That is until you see the number 5 most influential woman. BOOM. It is BAMBI.

“Who” might you ask? Well, Bambi of course. No, not the Disney character.

This influential figure is often cited as the female version of Banksy. Like Banksy, she remains a mystery. While she may be physically unknown, there are a few facts that Bambi’s agent, Walton Fine Arts, states in her bio. For starters, she is a graduate of St. Martin’s College in London, a university with a very prestigious genealogy of famous artists and designers, like the late Alexander McQueen, the fabulous Stella McCartney, the boombing London based Indian artist Raqib Shaw and others. Peter Doig. Gilbert and George. Antony Gormley. Eduardo Paolozzi… Basically, she is LEGIT.

Known for creating relevant works to the cultural situation she is surrounded by, Bambi often uses people we are familiar with to make her point. For example, when Amy Winehouse died, Bambi created an iconic site-specific piece in Amy’s hometown of Camden, now a known landmark (see image above). She is also known for her ever so entertaining portrait of Will and Kate (see image below).

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While looking at Will and Kate and Amy you may thing how are these so daring? Remembering the late Amy Winehouse was an incredible tribute, but associating “Marmite” and Will and Kate, the future rulers of England is quite scandalous – don’t you think?

Here are more “scandalous” yet thought revoking pieces she left for us to contemplate…

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Enjoys!

XX,

CHC (@CultureHeARTs)

 

Xiaolangdi – A project by Alain Feliu; The construction of a dam on the Yellow River in China.

(c) Alain Feliu courtesy Jecza Gallery

(c) Alain Feliu courtesy Jecza Gallery

Currently on view @ Jezca Gallery! October 17 – November 20

[Special thanks to Jezca Gallery for allowing us to share their PR with our followers.]

Alain Féliu (French artist) followed the construction process of a dam in Xiaolangdi. During three years time, using a large format 4 by 5 inch camera, Alain Féliu captured the evolution and implications of this construction project on the landscape, the environment and the people.

His photographic journey, in an unknown territory, means for many of us, the chance to explore this vast country, its people and policies. The series also shows the way nature and communities learn to adapt, move or change – in the region of Xiaolangdi more than 170.000 people had to move their homes in order to escape the flood, to give only one example.

This powerful exhibition doesn’t speak only about a 154 meter high and 1000 meter long Chinese dam, the project is more a metaphor for one of the biggest countries in the world – China – with its hierarchies, culture differences, people and constant evolution.

In his own introduction to the series the artists recalls his fascination for this site: “Xiaolangdi (“Small Deep Wave”/translation of name in English) is one of those places of an intense poetry and of whose imaginary you can no longer escape.

 So you return.”

(c) Alain Feliu courtesy Jecza Gallery

(c) Alain Feliu courtesy Jecza Gallery

 

If you are in Timisoara, Romania make sure you check out the show!

Jezca Gallery/ Calea Martirilor 51/52-53 / Timisoara, Romania

For more info email: jezca@jezcagallery.com

Cheers!

XX, CHC

@CultureHeARTs