A T O M I S E D by Jimmy C – AN EXHIBITION YOU CANNOT MISS!

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HEY LONDON!
Go and check out our good friend @akaJimmyC ‘s show entitled ATOMISED at Lollipop Gallery (58 Commercial Street, Shoreditch, London). The show runs from September 10 – October 10th. This show is a MUST SEE!!!

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Renowned street artist Jimmy C opens his long awaited solo exhibition at London’s Lollipop Gallery this September. Titled ‘Atomised’, the exhibition will include new paintings by the artist painted in his signature aerosol pointillist style, exploring notions of how the human subject is connected to the world on an atomic and macrocosmic level through the motif of the sphere. The show will also feature an interactive real time self-generating portrait, where visitors to the show can see themselves transformed into a Jimmy C style painting.

The real time portraits are being created in collaboration with digital software artist Stuart Cupit, who has developed a custom application, which uses a Kinect2 sensor to capture the shape and colours of the subject’s face. In real-time the software uses a complex algorithm to calculates where to place thousands of spray paint pixels, reproducing Jimmy’s painting style in a fluid, interactive and engaging new piece of work.

Jimmy. C is a PROLIFIC London-based street artist who has worked all over the world, and is known for his aerosol pointillist signature style as well as pioneering an anaglyphic 3D painting technique. His East London portrait of Usain Bolt became one of the key images in the London Olympics news coverage, whilst the portrait of David Bowie on a wall in Brixton was the cause of recent controversy when a commercial company covered it up with advertising, sparking a community uproar and an immediate retraction of the campaign.  Last year he collaborated with iconic London store, Liberty, to create a limited edition Cosmic Heart fabric print that was launched during London Fashion Week.

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BREATHTAKING.
For more info on Jimmy or to follow him on social media:
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Ideophonetic: The Flinching Eye Collective Brings It (and Then Some)

Let it enfold you. No really, do it. The sonic sounds and total immersive experience that is a Flinching Eye Collective performance will render you unable to be anywhere but completely in the moment. Ideophonetic, the performance for the Biennial of the Americas in Denver last week at Junction Box was not to miss.

The temporal, interactive, and sensory experience invites you in to not just watch but participate – to be in on the action just as much as it’s happening around you.

The lights focused your attention, the voices, noises, the symbol grinding, whistle blowing, turntable spinning, does the same. But wait, because it doesn’t stop there.

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(Image from the FEC)

As more unfolds around you a better sense of Ideophonetic, what it is, and its purpose comes to surface. The FEC, their ideas and the ways they bring them to light becomes clear and just as quickly slips away…keeping you on your toes.

The performance was seamless and sonic, loud and quite, playful yet well crafted, simultaneous to a grinding halt.

As you moved around the space it changed, your attention shifted, the action carried on.

The a-typical instruments, the devices and machines rigged to create the sounds kept you intrigued. Their inclusion is unique and another feature that highlights the creative ingenuity of this crew.

When you’re part of the static that makes the sound you’re gonna have something to say.

Render me refreshed to have had the opportunity to experience a Flinching Eye performance, and color me still spinning.

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A rare entity, the Flinching Eye Collective consists of seven members: Max Bernstein, Adán De La Garza, Scott Ferguson, Tobias Fike, Ryan Wade Ruehlen, Benjamin Gale-Schreck, and Matt Weedman. Independently these guys are interdisciplinary media artists. Their collaboration resulted in the creation of the collective back in 2011 in Denver. They have toured in cities around the US and this performance was the first to happen in Denver.

Cheers!

NYX

Carla Gannis – Garden of Emoji Delights

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You know what is the shizzz? Transforming Hieronymus Bosch’s Garden of Earthly Delights (above) into Gannis’ Garden of Emoji Delights (below)! I came across this piece at Pulse 2015, and was FLOORED, after seeing the original in Museo del Prado in Madrid AND after studying the original painting extensively at IU when I was getting my BA in Art History. I mean WOW. There are no words to describe my excitement for turning an iconic piece of art history into a contemporary, relatable, fascinating work of art that represents the 21st century – just as Bosch’s work reflected themes and issues of his time.

Take a look for yourself! LIKE WOWZAHSSSSS. Seriously. I am so beyond in love.

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Check out the comparissons from the original painting to the 21st century remake!

Original:

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Original:

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21st Century Gannis Version:

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Need I say more?! This piece totally is the definition of reworking an old master and giving it a meaning that is relatable to us today.

Truisms of Today

Basel or no Basel, people have hit the streets, with what I like to reference as Trusisms – hence having some truth implied.

The concept of “Trusisms,” originally entered the art scene with Jenny Holzer in the 70s. She made lists of “truths” put forth to the people with art that appeared like advertisments. Thus, she wheat pasted lists of Truisims on walls around New York City, occupied billboards in Times Square, and placed her art on marquees of theatres (see below), and more (she also hit other major cities as well – London, Munich, Oslo, Amsterdam, …).

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But now, in the 21st century, people are gratifying their messages on the grounds. Thus, you must now not only look up, but look down.

See examples from Miami’s Wynwood District and New York’s Gallery District in Chelsea of what people are making you contemplate…

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Is there always a tomorrow? Is modern art so expensive – yes to some, no to others… And should LOVE be the reason to breathe? Or are there more reasons to breathe besides love… like family, friends, your passions, etc.

Thus take these ideas that are going around the streets that make you question the truths behind these ideas proposed to you… and THINK.

XX,

CHC (@cultureheARTs)

It’s the Most Wonderful Time of the Year – BASEL!

“It’s the most wonderful time of the year” (cue song for .1 seconds before it gets too annoying) for any art addict. It’s ABMB aka ART BASEL MIAMI BEACH. It is a dream come true. Galleries from near and far bring their best works. Artists, celebrities, collectors, and dealers unite to put on the best show. And from what I’ve seen so far, it is going to be an AB FAB week.

While I have to admit I have only been to Context Art Miami, a satellite fair, many booths were not even close to short of bringing their A game. And trust me, they brought it. Many brought their A+ game. NO JOKE.

From seeing works of Dubuffet, to Joseph Albers, Mel Bochner, Alex Katz, Sam Francis, and more (yes, this is a satellite fair and not Basel itself – shocking to me, I know) I was impressed to say the least.

Check out some pics below of the FABULOUS WORKS… and remember, this is just the beginning!

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Jean Dubuffet

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Joseph Albers

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Sam Francis

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Mel Bochner

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Alex Katz

 

BRING IT ON BASEL!

xx. CHC

Cosmic Code A/V show with Psychemagik & Ari Russo on 18th November 2014

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In preparation, Psychemagik and Ari Russo have gone through 1,000’s of VHS tapes, laserdiscs, vinyl records and cassettes in search of the perfect sample. Unknown private press records from the 1970’s and 80’s will be mixed with more familiar sounds, whilst the visuals will combine sensory overload with stark, sarcastic footage. A live camera will capture video which will be processed in real-time using a programming code developed by Ari Russo. These three-dimensional visualisations will be led by the music, and projected back into the space, creating shadows that blur imaginary with reality. Far from a random arrangement, the performance will provide a film-like narrative held together by carefully selected music, found footage and audience participation.

Commission have worked together with the artists to create a body of work which encompasses ‘Cosmic Code’ a juxtaposition of Psychemagik’s otherworldly sounds from the past and Ari Russo’s digital intervention. This site-specific installation will occupy two 3 x 4m walls on which we’ll display a series of screen prints at the Gallery Bar of the Ace Hotel London between the 18th and 30th of November 2014. The prints are 50 x 70cm and limited to 10 per colour-way, these will be available to purchase at £30 each.
Further details:
Entrance £5, advance tickets available from Resident Advisor
18th November 2014, support DJs at 19:00, performance 20:30 – 22:00
Miranda Bar, Ace Hotel, 100 Shoreditch High Street, London, E1 6JQ
Hope to see you there!
The CHC