It’s BASEL time! The bells are ringing for art lovers around the world. This much anticipated week, the first week of December, is not only bringing in art works from international galleries, but it is too bringing in international Street Artists to cover the walls of Wynwood, The Arts District in Miami.
An impressive turnout has hit the streets. From Australia (Rone) to Brazil (Eduardo Kobra and Alex Senna) to Nicaragua (Luis Valle) and South Africa (Chinese-born artist DALeast – whose hometown is Cape Town), and even some US artists (like the phenomenal and ingenious Kenny Scharf – above), amongst others, have come to show their A-GAME. The streets have become REFRESHED and AWAKENED with NEW murals. AND WE JUST LOVE IT!!
See for yourself!
Also, DON’T FORGET to check out the REEFA memorial mural, in which a collaboration of Street Artist’s (including PEZ and Miami’s own AHOL SNIFF’s GLUE [@aholsniffsglue]) took part in, to commemorate the tragic life lost of Israel Hernandez, aka REEFA. #RIPREEFA. To find out how to HELP DONATE to #JUSTICEforREEFA click HERE.
Follow your he(ART). Get inspired. It’s that time of the year…
XX, CHC (follow me on Instagram @ CultureHeARTs)
El Museo de arte Thyssen-Bornemisza in Madrid has quite an incredible collection from MEDIEVAL to MODERN Art MASTERS – but it is their Modern section that BLEW ME AWAY. From Rothko to Lichtenstein, to Mondrian (pictured above, New York City, 3 (unfinished), 1941,) and more, their Modern collection, is IMPRESSIVE, to say the least. Below are some pictures of my favourite works from the collection… If you are ever in Madrid, get out your camera, iPhone, or whatever (because YES, you CAN take pictures – but NO FLASH please) and CAPTURE these paintings, after taking them in.
Left to Right: Morris Louis, Pillars of Hercules, 1960. Rothko, Untitled, 1961. Clyfford Still, Untitled, 1965.
Lichtenstein, Woman in Bath, 1963.
Rauschenberg, Express, 1963.
Rosenquist, Smoked Glass, 1962.
These LARGER than life canvases will leave a lasting impression on you – guarantee it.
Museums usually tend to be places of deep contemplation. Rarely does humour and comedy come to mind when referring to such an institution. However, The Royal Museum of Fine Arts of BRUSSELS has invited contemporary artist Jan Fabre to display 36 bronze and wax busts in his exhibition called Chapters I-XVIII Waxes & Bronze. Amongst the FAMOUS Flemish OLD MASTERS, such as Rubens and Breugel, one can fund these chucklesome busts (with faces that mirror those similar to Damien Hirst’s outlandish poses – or so some of them appear to be). These 36 busts are all self-portraits of the artist, mimicking art historical references, yet bringing them into the contemporary in a comical way. Fabre’s self-portraits are made of clean shiny bronze diverging from the usual dark dreary bronze that were used during the 19th century – very Koons-esque. The seriousness of these sculptures are also obliterated by poses of the artist laughing, smiling, and sticking out his tongue with sunglasses, unicorn horns, deer horns, and various other mythical creature features.
For me at least, these busts bring a light humour to a very stern environment. It relaxes us from the strict setting of the Museum and allows us (or for me at least) to not be as serious and remind us to enjoy the beauty of the art surrounding us. Fabre describes that he, through making these portraits “…laugh[s] with myself. You see the obstinate Jan Fabre, the coarse Jan Fabre, the diabolic Jan Fabre, and the foolish Jan Fabre. There is a kind of irony in it, of course.” This of course is not to discredit his work altogether as foolishness. Fabre is also cleverly studying and contemplating the medium of historical self-portraiture, the human body, and more importantly how we situate and are aware of our own existence within the world we live in. However, he does this in a playful way, which is refreshing.
If you have a chance to come visit Brussels, then I highly recommend you come visit The Museum of Fine Arts of Brussels. Kill two birds with one stone – get your fix of the Old Masters with a Contemporary TWIST.
PEACE OUT, K